SUMMARIES & AUTHORS
Gracious Living Magazine Says It Has to
Be a Live Tree
by Killian B.
Brewer: Determined to make his first Christmas with his new boyfriend
magazine-perfect, Marcus seeks the advice of lovable busy bodies, the
Do-Nothings Club. When he learns that his boyfriend, Hank, may have ordered a
ring, Marcus’ attempts to transform his home into a winter wonderland get out
of hand. Featuring the characters from Lunch With the Do-Nothings at the Tammy
Dinette.
Killian B. Brewer lives in his life-long
home of Georgia with his partner and their dog. He has written poetry and short
fiction since he was knee-high to a grasshopper. Brewer earned a BA in English
and does not use this degree in his job in the banking industry. He has a love
of greasy diner food that borders on obsessive. Lunch with the Do-Nothings at the Tammy
Dinette was published in January, 2017. His debut
novel, The
Rules of Ever After, is available from Duet Books, the young adult imprint of
Interlude Press.
True North by Pene Henson: Shay Allen returns to
her hometown in Montana for the holidays with her best friend Devon with the
intent to return home to L.A. by New Year’s Eve. Instead, the weather traps
them in the small town, but the there’s a bright spot: her old crush Milla is
still in town.
Pene Henson has gone from British boarding schools to New
York City law firms. She now lives in Sydney, Australia, where she is an
intellectual property lawyer and published poet who is deeply immersed in
the city’s LGBTQIA community. She spends her spare time enjoying the outdoors
and gazing at the ocean with her gorgeous wife and two unexpectedly exceptional
sons. Her first novel Into the Blue (Interlude Press,
2016) received a Lambda Literary Award for Gay Romance. Her second novel, Storm
Season, was published by Interlude Press in 2017.
Last Call at the Casa Blanca Bar &
Grille
by Erin Finnegan: As
the one-year anniversary of his lover’s death rolls around on Christmas, Jack
Volarde finds himself at their old haunt—a bar called the Casa Blanca, where a
new bartender helps him open up about loss, and see brightness in a future that
had grown dim.
Erin Finnegan is a former journalist and a winemaker who
lives in the foothills outside Los Angeles. Her novel Luchador was
named one of Publishers Weekly’s Best Books of 2016, and along with her
2014 debut novel, Sotto Voce, received both a Foreword Reviews
INDIES Book of the Year award and a PW starred review.
Halfway Home by Lilah Suzanne: Avery Puckett has
begun to wonder if her life has become joyless. One night, fate intervenes in
the form of a scraggly dog shivering and alone in a parking lot. Avery takes
him to a nearby shelter called Halfway Home where she meets bright and beautiful
Grace, who is determined to save the world one stray at a time.
Lilah Suzanne has been writing actively since the sixth
grade, when a literary magazine published her essay about an uncle who lost his
life to AIDS. A freelance writer from North Carolina, she spends most of
her time behind a computer screen, but on the rare occasion she ventures
outside she enjoys museums, libraries, live concerts, and quiet walks in the
woods. Lilah is the author of the Interlude Press books Spice, Pivot
and Slip, and the Amazon bestselling Spotlight series: Broken
Records, Burning Tracks and Blended Notes.
Shelved by Lynn Charles: When library clerk
Karina Ness meets a new patron, lonely business owner, Wesley Lloyd, she puts
her own love life on hold and begins a holiday matchmaking mission to connect
Wes with her uncle Tony.
Lynn Charles’ love of writing dates to her childhood, when
thoughts, dreams, frustrations, and joys poured onto the pages of journals and
diaries. She lives in Central Ohio with her
husband and adult children where a blind dog and his guardian cat rule the
roost. When she’s not writing, Lynn can be found planning a trip to New York
or strolling its streets daydreaming about retirement. Her novel Black
Dust (2016) was named a finalist for a Foreword Reviews INDIES Book of
the Year award. Her other novels include Beneath the Stars (2017)
and Chef’s Table (2014).
Purchase Links:
Interlude Press: https://store. interludepress.com/ collections/if-the-fates- allow-an-lgbtq-holiday- anthology
Interlude Press: https://store.
Amazon: http://amzn.to/2hRggTf
Barnes & Noble: https://www. barnesandnoble.com/w/if-the- fates-allow-annie-harper/ 1127478153?ean=9781945053474
Apple: https://itunes.apple. com/us/book/if-the-fates- allow/id1279957021?mt=11
Kobo: https://www.kobo.com/us/ en/ebook/if-the-fates-allow- an-lgbtq-holiday-anthology
Smashwords: https://www. smashwords.com/books/view/ 745816
Book Depository: https://www. bookdepository.com/If-the- Fates-Allow-Annie-Harper/ 9781945053474/?a_aid=Interlude Press
Barnes & Noble: https://www.
Apple: https://itunes.apple.
Kobo: https://www.kobo.com/us/
Smashwords: https://www.
Book Depository: https://www.
EXCERPT
Last Call at
the Casa Blanca Bar & Grille by Erin Finnegan
Taking a seat at the Casa Blanca was like stepping out of a
time capsule in Morocco circa 1941, by way of Hollywood. Located on the ground
floor of an aging hotel, it greeted patrons with the sound of big band music on
the stereo and framed photos of Humphrey Bogart and Ingrid Bergman on the
walls. Cast on crimson and gold accents, the warm, dim lighting suggested a
permanent midnight.
A comfortable oddity compared to its five-star competition up
the hill, the Casa Blanca’s style was part homage to the classic film, part
tequila bar. The owner insisted on a sense of classic style— no jeans or
T-shirts for its bartenders, who wore crisp, white dress shirts and black
slacks, though he capitulated on the bow ties when the bartenders rose up
against wearing the constrictive neck ware.
Admittedly, the Casa Blanca hadn’t always been Jack’s idea of
a great bar. It had been an acquired taste, born of devotion and a willingness
to follow. To some, it came across as fashionably ironic: Kasbah
décor-meets-Mexican restaurant to a soundtrack from the American songbook. Jack
would protest that it was a hipster joint, would try to default to something
fashionably modern atop Bunker Hill, an elegant spot with a view, but the Casa
Blanca’s quirks and contradictions grew on him over time.
Like a fungus, he would say.
Like love, he would be admonished.
Maybe it became so much a part of his routine because it was
where they had spent many of their best moments together, and a few of their
worst.
The Casa Blanca was a habit born out of a relationship, a
routine that died of unnatural causes one year ago.
Rattan fans swirled overhead, casting erratic shadows across
the depths of the near-empty room. Televisions at opposite ends of the bar
echoed the play-by-play of ESPN in hushed and reverent tones; the voice of the
broadcast team usurped by Peggy Lee.
At the far corner, his back to the entrance, a solitary
bartender wiped glasses while glancing at the game.
“You open?” Jack asked.
“So long as you’re thirsty,” he answered without so much as a
glance in Jack’s direction, as if anticipating the interruption. “But the
kitchen’s closed.”
“That’s all right,” Jack said. He made himself comfortable at
a table a few feet from the bar and adjusted his chair to face the television.
It might not have been sociable, but he wasn’t here for conversation.
A napkin floated to the table. A bowl of Chex Mix settled in
front of his fingertips. “What are you drinking?”
Jack glanced at the bartender’s hands without looking up—the
prominent veins hinted at athleticism and the nails were buffed to a soft
sheen.
He drank beer at games, but beer was a drink for the sociable,
to be consumed among friends. Whiskey had an appropriately solitary feel, but
seemed out of place for a warm evening.
“Tequila,” he said. “Casa Dragones.”
“And here I had you figured for bourbon.”
A DO-NOTHING CHRISTMAS
Killian B. Brewer
Hello and thanks for hosting me on your
blog today. I’m Killian Brewer, though most people just call me Brew. I’m a
Southern boy, raised in the land of peaches and peanuts. I grew up in a tiny
little town in a house where we would entertain each other by telling stories.
I went to college and earned my degree in English Literature, mostly because of
my love of a good story. Of course, like most English majors, I don’t use that
degree at all in my day job, but it does come in handy for my writing.
My story, Gracious Living Magazine Says It Must be a Live Tree, from the
Interlude Press holiday anthology, If the
Fates Allow, is a return to the town and characters I created in my second
novel, Lunch With the Do-Nothings at the
Tammy Dinette. I really enjoyed travelling back to this world for a brief
check-in with my characters.
When Interlude Press approached me
about possibly writing a holiday-themed short story set in the world I created
in my last novel, Lunch with the
Do-Nothings at the Tammy Dinette, I quickly accepted because I’m a nut for
Christmas. Also, I thought it would be
fun to check back in with Marcus Sumter, his boyfriend, Hank, and of course my
favorite busybodies, the Do-Nothings. I
had established in the novel that Marcus had a transient life as a child
without the usual things most kids grow up enjoying, so I was intrigued to see
how he might handle the holidays in his first real home and with his newfound
family. Thinking back on the elaborate decorations and plans of the Southern
women I grew up around, I knew I could basically let Marcus be an excited and
overwhelmed kid in a Christmas candy store. Out of this idea grew Gracious Living Magazine Says it Must Be a
Live Tree. However, as I sat down to start the writing process, I realized
I had two issues to deal with.
The first obstacle was getting into the
holiday spirit when Christmas was months away. I resolved this by pulling up my
iTunes and listening to holiday music on repeat. Despite the grumblings from my partner that
“it’s April for crying out loud,” I was soon humming White Christmas and typing away. It’s really amazing how the sounds
of sleigh bells and angel choruses can transport your mind and heart right back
to your fondest childhood Christmas memories, even if the rest of the world is
busy dying Easter eggs.
The second hurdle, however, was not
going to be jumped by queueing up some Nat King Cole. I knew a reader of this
short story may not be familiar with the novel
from which it is a one-off. The
reader may not know the backgrounds and personalities of my characters. Since I
wanted to keep the story to an appropriate word count, I had to be careful to
make sure I provided enough background to make the story make sense without weighing
it down with too much exposition and explanation.
To achieve this, I sat with each of my characters
again and figured out what is an essential part of their personality and background
that I needed to convey. I realized that showing each character’s approach to
Christmas decorations and traditions could reveal who they are. For example,
Inez Coffee is the curmudgeon of the Do-Nothings. By having her express grumpy
opinions and distaste for dealing with holiday preparations like hanging lights
and making costumes for a children’s pageant, I established who she is. On the
other hand, Priscilla Ellington is a former preacher’s wife and very religious
woman. This is reflected in the story with her insistence that Marcus have a nativity scene in his home and her
delight at the children’s pageant. These short-hand character explanations made
it much easier for me to get back into the story quickly and yet felt true to
the holiday theme of the story.
I was
pleased to discover what a joy it was to return to these characters and the
world they live in at the Tammy Dinette.
I hope readers will enjoy the Do-Nothing Club’s Christmas traditions and
will fondly remember moments from their own holidays of the past.
Thanks for hosting me today!
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